My work begins with a question, an intuition or a gemstone. Almost all my designing is done on a computer. I print lots of variations just to see what they look like. The flexibility of silver and the computer give me the ability to do just about anything I can think of. So my work is personal and eclectic. The pieces are finished when they say something. When they reach that point, I start preparing them for their final print and casting.
My work process is both technical and tactile. I begin on the computer in a 3D program called Zbrush, which is like working with wax or clay without the mess. Another advantage is that you can zoom in and really work on details. The disadvantage to that is losing your sense of scale. I print early and often to help anchor the design in reality while I work. My final designs are printed in a castable resin, sent to a casting house which then returns them in sterling silver (Almost always. Love silver.), and then I refine the piece in metal. It’s like going from the computer’s formlessness to the printed form to FORM. Besides the computer work and the bench work, I occasionally cut my gemstones. I’m a one person shop.
I went to school in illustration, painting, photography, and film and came to jewelry accidentally through computers. I’m self-taught in both, although I’ve taken metal and lapidary classes. That was in self-defense. I couldn’t stand the way other people finished my pieces. In 2022, at the American Craft Council’s St. Paul Show, I was given an Award for Excellence in Jewelry.
Please email us if you have any questions